This book presents an overview of the emerging field of emotion in videogame soundtracking. The emotional impact of music has been well-documented, particularly when used to enhance the impact of a multimodal experience, such as combining images with audio as found in the videogames industry. Soundtracking videogames presents a unique challenge compared to traditional composition (for example film music) in that the narrative of gameplay is non-linear - Player dependent actions can change the narrative and thus the emotional characteristics required in the soundtrack. Historical approaches to emotion measurement, and the musical feature mapping and music selection that might be used in video game soundtracking are outlined, before a series of cutting edge examples are given. These examples include algorithmic composition techniques, automated emotion matching from biosensors, motion capture techniques, emotionally-targeted speech synthesis and signal processing, and automated repurposing of existing music (for example from a players own library). The book concludes with some possibilities for the future.

This book presents an overview of the emerging field of emotion in videogame soundtracking. The emotional impact of music has been well-documented, particularly when used to enhance the impact of a multimodal experience, such as combining images with audio as found in the videogames industry. Soundtracking videogames presents a unique challenge compared to traditional composition (for example film music) in that the narrative of gameplay is non-linear - Player dependent actions can change the narrative and thus the emotional characteristics required in the soundtrack. Historical approaches to emotion measurement, and the musical feature mapping and music selection that might be used in video game soundtracking are outlined, before a series of cutting edge examples are given. These examples include algorithmic composition techniques, automated emotion matching from biosensors, motion capture techniques, emotionally-targeted speech synthesis and signal processing, and automated repurposing of existing music (for example from a players own library). The book concludes with some possibilities for the future.

This is a practical and comprehensive guide for all watercolour enthusiasts, from the beginner who wishes to explore this popular painting medium to the experienced artist looking for inspiration and ideas. Starting with advice on materials, colour and composition, the book goes on to describe basic and more advanced techniques and the wonderful effects they can produce. Fourteen easy-to-follow, step-by-step demonstrations show the reader how to paint skies, trees, water, buildings and flowers, and each section is accompanied by a selection of inspirational paintings by the seven featured artists, in a rich variety of styles. Originally published as 'Working with Watercolour', this book uses material from the 'Leisure Arts' series.

Engaging, informative, and nontechnical, Introduction to Educational Research: A Critical Thinking Approach, Second Edition was written and organized specifically for students intending to conduct future educational research. It enables students to think clearly and critically about the process of research and illustrates how easily research can be misinterpreted. The author empowers educators and makes research truly accessible by equipping readers with the reasoning and thinking skills needed to understand and critically evaluate empirical studies across all areas of education. Students are guided through the stages of the research process: thinking about research, formulating hypotheses, selecting appropriate research designs, collecting and analyzing statistical and qualitative data, and completing research analyses and critiques. As a result, students will better understand research as an integrated process, as well as show how and why researchers think like they do.

The year is 1930 and the British are in Arabia. Ivor Willoughby, a young Orientalist, embarks on an ambitious quest to find his father, an officer abroad with the British Army. In all of Ivor's life, Robert has returned to England only once, bedraggled and wild-eyed with tales of As'ir, a land of Sheikhs and white-turbaned bandits, where he is fighting alongside Captain Lawrence and is known by the name 'Ullobi'. After that single meeting which left such a mark on his son, Robert is never heard from again. Ten years on, Ivor must find out what became of him. So he sets out on the journey of a lifetime. Travelling to Cairo to join the Locust Bureau, then circuitously to Abha, Yemen, and along the Red Sea coast, Ivor searches everywhere for clues about Ullobi, but no one appears to remember him. Or perhaps they are afraid to admit to it. Along the way Ivor hears whispers of a woman warrior called Na'ema who was once a slave. Her story seems tantalisingly connected with his father's, and Ivor finds himself in the misty heights of Ayinah looking for an Abyssinian seer who was carried on the same slave ship as Na'ema in 1914 and might unlock the mystery... In this dazzling epic, William Newton brings to life Lawrence's Arabia in fascinating and vivid detail. The Mistress of Abha is a tale of Empire, of wild daring, of devastating love and an utterly surprising heroine.